source: Copyright © 2006 The Cañon City Daily Record
Artists proudly discuss work at FCA event
David Young
The Daily Record
Surrounded by photographs and drawings of their works of art, Christo and Jeanne-Claude gushed to a room full of fans like a pair of proud parents.
In a way, the world-renowned artist’s work is like a child to them. Each is a labor of love that takes nearly a lifetime to complete.
On Saturday night at the Fremont Center for the Arts, Christo and Jeanne-Claude made a special appear-ance in honor of an “Over the River” exhibit, featuring preparatory drawings of the proposed plan to drape cloth over the Arkansas River between Cañon City and Salida.
As vibrant as Jeanne-Claude’s bright hair, the artist’s excitedly discussed some of the works on display in the Center’s gallery and answered a handful of questions from audience members.
“A lot of these (works) are our past, but a lot of them are our future,” Christo said. “These 11 original works are unique pieces done by my own hand.”
Christo explained this processes when it comes to creating preparatory works for a project are much like that of an architect. After studying the site in person and taking photographs, Christo draws the images of what he expects the project to look like when it is finished.
“Because it is not your typical type of art exhibit you are used to when you stare at a beautiful painting, you really have to read (the drawings),” Jeanne-Claude said.
Christo and Jeanne-Claude passed the microphone back and forth, each eagerly trying to say as much as they could about their future project to the packed room.
“The Gates” in New York City, “Valley Curtain” in Rifle, “The Wall” in German and “Running Fences” in California are all among the artists’ other projects currently on display at the center for the arts.
All of the 11 “Over The River” drawings by Christo are for sale, starting at $25,000. His works have his-torically gone up in value over time. Jeanne-Claude said a preparatory work in 1980 that sold for $98 is worth $140,000 today.
“They are all unique works because they have market value,” Christo said. “Their value goes up as we get more and more wrinkles,” added Jeanne-Claude.
All money raised from the sales of their works goes toward funding the artist’s next project.
“I could be covered in diamonds, or I could buy the materials for works of art,” Jeanne-Claude said.
The event, which featured wine, beer and food for guests, was well attended by visitors from across the country.
Nona Powers, an art history teacher from San Diego, Calif., made the drive with her husband, Joe.
“I admire them as artists, but I also admire their integrity because they have not sold out,” Powers said. “They’re not in it for the money. They’re in it for the art.”
Powers has seen Christo and Jeanne-Claude’s “Gates” and “Umbrella’s” projects and is planning on com-ing back to see the “Over the River” if it occurs, which would be at the earliest 2010.
One of the aspects of the style of art that Christo and Jeanne-Claude create is the all-encompassing aspect of it.
“ In (‘Over the River’), you can be over it, beside it and under it. You’re going to be able to float down the river and look through it. It’s like looking through nature in a new way,” Powers said. “ It is all encompass-ing. You’re using all your senses, but what I like most is you’re in it.”
Even those not familiar with “Over the River,” such as Gabrielle Woodbury of Blue Lake, Calif., were intrigued by the presentation.
Woodbury, familiar with the artists through college, was curious about the faces behind the large-scale works of art.
“I think that they are wonderful together, almost like one individual with two separate bodies,” Woodbury said. “Which I really get because of the entire process.”
Christo and Jeanne-Claude said the outpouring of support from the community “warms their hearts” and thanked everyone on hand.
Jeanne-Claude also took time to address the opposition to the project saying, “There is opposition to any project, not just ‘Over the River.’ But afterwards it’s hard to find people who admit to having been opposed to the project.”
After the formal presentation and question-and-answer session Christo and Jeanne-Claude retired to the parking lot where they mingled with fans, something that Powers adores about the artists.
“Most artists (wouldn’t interact with fans), but Christo and Jeanne-Claude are unique,” Powers said. “They are warm and great people.”